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    You are at:Home » Pioneering Actress Ellen Holly Dies At 92
    Religion

    Pioneering Actress Ellen Holly Dies At 92

    December 13, 20235 Mins Read2 Views
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    Pioneering Actress Ellen Holly
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     America’s first Black soap opera star was also an acclaimed Broadway and film actress.

    Submitted by Cheryl Duncan

    NEW YORK — Trailblazing American actress Ellen Holly, the first Black person to star in a soap opera, has died. The White Plains resident, who helped change the face of daytime television with her lead role on One Life to Live, passed away peacefully in her sleep Wednesday at the age of 92 at Calvary Hospital in the Bronx, New York.

    Holly was born on January 16, 1931, in Manhattan to parents William Garnet Holly, a chemical engineer, and Grayce Holly, a housewife and writer. Ellen Holly’s was a prominent Black family that included her paternal great-grandmother, Susan Smith McKinney Steward, the first African American woman to earn a medical doctorate (MD) in New York State and the third in the United States; her great aunt Minsarah Smith Thompson Garnet, a suffragette and the first Black female principal of a New York City school; Minsarah’s husband, the Rev. Henry Highland Garnet, an abolitionist who was appointed Minister (ambassador) to Liberia by President James A. Garfield; her great-grandfather the Rev. James Theodore Holly, the first African American to be ordained a bishop in the Protestant Episcopal Church and a prominent missionary to Haiti; and her great-great grandfather Sylvanus Smith, one of the leaders of the movement urging Black people to purchase land in Kings County, New York, in an area later known as the Weeksville settlement and a landowner there. Her maternal aunt Anna Arnold Hedgeman was the first Black woman to be in the cabinet of a New York City mayor (Robert F. Wagner Jr.), one of the lead organizers of the March on Washington and a founding member of the National Organization of Women.

    Holly herself grew up in Richmond Hill, Queens. A graduate of Hunter College, she became a member of the Delta Sigma Theta Sorority, Inc. during her college years.

    Holly began her acting career on New York City and Boston stages, earning instant critical acclaim. She made her Broadway debut in Too Late the Phalarope in 1956 and she went on to star in the Broadway productions Face of a Hero, Tiger Tiger Burning Bright and A Hand is on the Gate. From 1958 to 1973, she led productions of numerous Joseph Papp New York Shakespeare Festival productions. Throughout her years in the theater, she worked opposite such luminaries as Roscoe Lee Browne, James Earl Jones, Jack Lemmon, Barry Sullivan and Cicely Tyson. Holly also studied with dance pioneer Katherine Dunham and was passionate about the role of dance in revealing the richness of African American culture.

    Her first roles on television included appearances on The Big Story (1957), The Defenders (1963), Sam Benedict (1963), Dr. Kildare (1964) and The Doctors and the Nurses (1963 and 1964).

    Holly played the groundbreaking character Carla Gray on the hit ABC show One Life to Live from 1968 to 1980 and 1983 to 1985. She was personally chosen for the role by television producer Agnes Nixon after she saw a New York Times opinion piece that Holly wrote called “How Black Do You Have To Be?” about the difficulty of finding roles as a light-skinned Black woman. The first time a Black person starred in a soap opera, it was a watershed moment, coming as it did during the turbulent and racially divisive 1960s. Carla’s attempt to come to terms with her racial identity and her love triangle with two doctors — one white, the other Black — helped launch viewership of the nascent soap opera into the stratosphere. Holly exploded onto the pages and covers of publications like Newsweek, TV Guide, Ebony, Soap Opera Digest, and the New York Times. Soon there were Black story lines on All My Children and General Hospital, helping ABC to dominate daytime for two decades. In later years, Holly spoke out about being underpaid and other mistreatments she claimed she and some of her fellow Black cast mates received from show executives despite their contributions to the show’s success.

    She continued to appear on the small screen, with a recurring role as a judge on The Guiding Light from 1988 to 1993 and In The Heat of the Night from 1989 to 1990 as well as the television movie 10,000 Black Men Named George, alongside Andre Braugher and Mario Van Peebles.

    She also appeared on the big screen in Take a Giant Step, Cops and Robbers and Spike Lee’s School Daze.

    An accomplished writer, over the years, Holly wrote numerous pieces for the New York Times. In 1996, her autobiography, One Life: The Autobiography of an African American Actress, was published. Reflective of a life dedicated to the arts and civil rights causes, in her final years she began preparations on a documentary about her life and the storied activism of her family.

    In the 1990s, she took the civil service examination and became a librarian, serving as such for many years at White Plains Public Library. In her autobiography, she referred to her years there as some of the happiest of her life.

    Holly had many friends and was a well-loved member of her White Plains community. She was predeceased by her younger sister, Jean H. Gant, and her niece, Holly Gant Jones. She Is survived by her grand-nieces Alexa and Ashley Jones (White Plains), daughters of her beloved niece, Holly Gant Jones, who predeceased her, and their father, Xavier Jones; first cousins Wanda Parsons Harris (Dayton, Ohio), Julie Adams Strandberg (Providence, Rhode Island), Carolyn Adams-Kahn (New York), Clinton Arnold (Los Angeles) and a host of other loving family members. She is sorely missed and mightily celebrated.

    In keeping with Holly’s wishes there will be no funeral. As an expression of sympathy, donations may be made to The Obama Presidential Center or St. Jude Children’s Research Hospital.

    000 Black Men Named George alongside Andre Braugher and Mario Van Peebles. She continued to appear on the small screen with a recurring role as a judge on The Guiding Light from 1988 to 1993 and In The Heat of the Night from 1989 to 1990 as well as the television movie 10
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    Carma Henry

    Carma Lynn Henry Westside Gazette Newspaper 545 N.W. 7th Terrace, Fort Lauderdale, Florida 33311 Office: (954) 525-1489 Fax: (954) 525-1861

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    This College Chaplain Fills The Pews By Teaching, Not Preaching Lawrence Lockett Jr., Morgan State University chaplain. Credit: Lawrence Lockett Jr. via LinkedIn By REV. DOROTHY S. BOULWARE (Source: Amsterdam News) It’s understandable for parents of strong faith to worry about the spiritual lives of their children who’ve gone away to college. After all, it’s easy for a young person, perhaps on their own for the first time, to suc-cumb to the temptations of partying late on Saturday night and sleeping in on Sunday morning. But Minister Lawrence Lockett Jr., chaplain at Morgan State University in Baltimore, is packing them into the pews most Sundays. He is engaging them in lively ways during the week. And students are joining the choir, accompanying worship on various instruments, and serving as readers and leaders throughout the service. It is by the grace of God for sure, but also by the loving service of Lockett, who’s beginning his second year as the school’s director of chapel. He has grown his flock from the 25 or so students who showed up at his first services to more than 200 each Sunday. Sometimes, it’s standing room only. “We’ve been trying to figure out what to do next because on Easter Sunday we had 342 people, and some were standing in the back,” he said. Word In Black talked to Lockett about the secrets of his success: how his adjustment of Sunday ser-vices got people into the pews, why his philosophy for guiding students on their spiritual journey centers on independent thought, and how his “Spin the Block” initiative is shaking things up on campus. The in-terview has been edited for length and clarity. Word in Black: The first thing we want to know is, how do you get so many young people to chapel every Sunday?. Lawrence Lockett: Well, first of all, I changed the time of service from 11 a.m. to 2 p.m. I realized a lot of the students like to sleep in late. It gives them time to do whatever they need to do. I’m sure many of them still like to party hearty over the weekend. So they have a good chance just to kind of refocus, recali-brate, get themselves lunch, and then come over to the chapel for service. When I started in November, maybe 20-25 students came, but now it’s over 200 that come every Sun-day, and it’s pretty cool. So now we’re repositioning ourselves to go after the freshman class this year. If we have the same success as last year, there’s definitely not going to be any room. Word in Black: Tell me about pastoring on a college campus. Lawrence Lockett: Morgan actually started as a biblical institute, so the Christian traditions have al-ways been here. As a pastor or shepherd, I’m walking students through their questions, not always just trying to preach answers to them. It’s about being vulnerable. I tell them I was in their same position, just trying to figure it out. And it’s not me just trying to give them answers. Having been there helps me really walk with them and anchor them in the storm of life that’s going to come. I want them to understand that their soul really matters. A lot of students focus on mental health, but they really need to focus on spiritual health as well. It should be one and the same. So I’ve been trying to preach that, if anything, spiritual health is just as important as your mental health. But we do encour-age the use of the counseling center, for sure, if there is a mental health crisis. WIB: What does Monday through Friday look like for you? LL: Mondays, we are usually off because of Sundays. On Tuesdays, we have Bible studies, so I’ll host a Bible study at noon along with my colleagues that work in the chapel. And then, I’m teaching a class called Hip-hop and the Gospel on Tuesdays at 2:30 p.m., dealing with mixing culture and religion. 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You’ll see students giving testimonies. And then I’ll come in and give a sermon, or I’ll have a guest friend or a guest preacher come in to do the sermon. But you’re gonna see a lot of student involvement, and I think that also assisted with a lot of the growth be-cause when they see fellow students, they understand they’re just like me, and if they can do it, I can do it. WIB: What about musicians and choir? LL: The musicians are also students. They say, “Hey, I love to play. I wanna use my gifts in some way, shape, or form.” And they’ll ask whether or not there’s a spot for them. And we say absolutely. And there is a chapel choir. Some of the members are also members of the university choir. WIB: What is the “next” you see for the chapel? LL: I want the students to know God, find freedom, discover purpose, and make a difference. The chapel really is the heartbeat of the campus, and I want students to know more about where faith, hope, and belonging really stem from. 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