From left to right: Kimberly Elise, MoâNique, Nicole Ari Parker, Danny Glover and Gabrielle Union star in âAlmost Christmas.â (Universal Pictures)
By Dwight Brown
(NNPA Newswire Film Critic)
     Watching this humorous film is like getting a funny greeting card that makes you laugh as it warms your heart. This ode to the joy and angst people feel as their family reconvenes for the certain chaos, gluttony and joy during Christmas, is a nice way to start the holiday season. Itâs a very entertaining stocking stuffer. Itâs comic relief.
Under writer/director David E. Talbertâs (âFirst Sundayâ) guidance you know there will be equal doses of merriment and inspirational message. Toss in producer Will Packerâs (âThink Like a Manâ) sensibility and you can pile on the silliness and bawdy humor. Whatâs on view is a raucous comedy that feels almost TV sit-comish. Itâs seasoned with enough soap operaish drama to make you laugh at the characters and be astonished by their mischievous schemes.
Walter Meyers (Danny Glover, âThe Color Purpleâ), the successful owner of several auto repair shops, eagerly awaits the arrival of his four adult offspring and their extended families back to the Atlanta home they grew up in. He looks forward to their smiling faces, is somewhat saddened that his deceased wife Grace wonât be there and is frankly wondering if his kids can set aside their differences for five days so they can enjoy the holidays. Fat chance.
His youngest daughter Rachel (Gabrielle Union, âThe Birth of a Nationâ), a perpetual law student who is low on funds, brings her young daughter and the grudge she bears for her older, far more successful sister Cheryl (Kimberly Elise, âFor Colored Girlsâ), who is a dental surgeon.
Big sis is coming with her flaky, conceited, retired basketball player husband with wandering eyes, Lonnie (JB Smooth, âTop Fiveâ).
Christian (Romany Malco, âThink Like a Manâ), the oldest son is running for Congress and no one knows if he can forget campaigning long enough to focus on the family. His wife Sonya (Nicole Ari Parker, âMurder in the Firstâ) is skeptical. Evan (Jessie T. Usher, âIndependence Day: Resurgenceâ), the baby of the family and a popular football player, is just getting off the disabled list (DL) and has a jones for painkillers, unbeknownst to the rest of the clan.
And if that isnât enough spice in the house, Malachi (Omar Epps, âLove and Basketballâ), Rachelâs old high school fling and neighbor, is hot on her tail. Alan, (John Michael Higgins, âPitch Perfectâ), Christianâs campaign manager is working on a gentrification scheme thatâs in conflict with the downtown area thatâs home to a shelter where Walterâs wife worked. Evanâs old friend Eric (DC Young Fly, âHollywood Heartsâ) is supplying him with drugs. And heâs also hitting on Evanâs saucy Aunt May (MoâNique, âPreciousâ), an aging backup singer. She claims: âI got vibrators older than that child!â
Surprisingly, African-American Christmas movies are quite prevalent: âA Madea Christmasâ (Tyler Perry, Tika Sumpter), âThe Best Man Holidayâ (Monica Calhoun, Morris Chestnut), âThis Christmasâ (Loretta Devine and Chris Brown), âThe Perfect Holidayâ (Gabrielle Union and Morris Chestnut) and âLast Holidayâ (Queen Latifah and LL Cool J). So, what sets this one apart? Itâs refreshing that the central character is a wise, silver-haired patriarch.
And to add a bit of hot pepper to the mix, Aunt May, played with verve by scene-stealer MoâNique, adds just enough naughty humor to please adults and warrant an MPAA PG-13 rating. As she walks into Walterâs house, May says to her brother-in-law: âWhereâs the liquor? I hope it ainât that dark liquor, because that dark liquor will make a bitch want to fight.â
Playwright-turned-filmmaker David E. Talbert has a very assured style that involves âcomedy in the midst of chaos.â One minute thereâs a verbal brawl and the next moment everyone is laughing. This rhythm serves his plays and screenplays well, keeping audiences engaged through his explorations into the sometimes awkward dynamics of friendships, marriages and relationships. Comparisons to Talbert and Tyler Perry are inevitable. The difference is that Talbert is far more consistent as a writer and director.
Gabrielle Union and Kimberly Elise rattle off catty one-liners like they were schooled on Edward Albeeâs vicious âWhoâs Afraid of Virginia Wolf.â For female viewers, Epps is the romantic ex-boyfriend who got away. Usher and Young Fly will keep the younger audiences engaged. JB Smooth is hysterical as the out-of-touch playboy who is courting disaster.
Perhaps the smartest bit of casting was giving Danny Glover the role as the dad and referee. His strong acting brings more to the role of Walter than most performers could summon. Strong, humbled, determined and embittered are just some of the emotions he shows over the course of 1 hour and 52 minutes. When he screams to his out-of-control family âItâs my house,â there is no question; he is the lord of the manor.
The second coup is having MoâNique spice up Aunt May to the point that youâre belly laughing even before she opens her mouth. And for those who wonder if she really deserved her Oscar for Best Supporting Actress in the film âPrecious,â wait until you see final scenes when it is just her and Danny Glover at the dining room table talking about the sweet potato pie her sister used to make. Itâs a treasured moment.
John Paesanoâs impassioned musical score is supplemented with appropriate soul, pop and jazz tunes like Etta James singing the sultry âThe Very Thought of You.â Wynn Thomasâ production design and Marthe Pineauâs set decoration make Walterâs house an enviable abode and the aisles of the Piggly Wiggly a perfect place for extramarital flirtations. Larry Blanfordâs photography and lighting give the footage a warm glow. The editing by Troy Takaki adds a solid beat.
If youâre looking for Shakespeare, try another theater. If you want a good stick-to-your-ribs family comedy that will make you chuckle and forget your troubles, pull up a chair and sit down.
The spirit of the holiday season is in the house.