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    You are at:Home » In Memoriam: Hip Hop Superstar DMX Has Died at 50
    Religion

    In Memoriam: Hip Hop Superstar DMX Has Died at 50

    April 14, 20214 Mins Read0 Views
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     By Stacy M. Brown, NNPA Newswire Senior National Correspondent@StacyBrownMedia

          DMX, the sensationally talented and gruff-voiced rap artist and actor who rose from the hardscrabble streets of Yon-kers, New York, to become one of hip-hop’s most prolific stars, has died at the age of 50.

    Most famous for the “Ruff Ryders Anthem,” DMX, whose real name is Earl Simmons, suffered a heart attack last week.

    He was rushed to White Plains Hospital where doctors worked for several days to try and revive him.

    “We are deeply saddened to announce today that our loved one, DMX, birth name of Earl Simmons, passed away at 50 years old at White Plains Hospital with his family by his side after being placed on life support for the past few days,” the family wrote in a statement.  “Earl was a warrior who fought till the very end. He loved his family with all of his heart, and we cherish the times we spent with him. Earl’s music inspired countless fans across the world and his iconic legacy will live on forever. We appreciate all of the love and support during this incredibly difficult time. Please respect our privacy as we grieve the loss of our brother, father, uncle, and the man the world knew as DMX.

    We will share information about his memorial service once details are finalized.”

    Raised by his aunt, DMX took hip-hop by storm in the 1990s.

    He won Source mag-azine’s Unsigned Hype Award in January 1991 and released the promo single ‘Born Loser’ for Columbia Records.

    After a nearly three-year hiatus, DMX returned to the limelight with an appearance on LL Cool J’s “4, 3, 2, 1.”

    He worked with the Diddy protégé Ma$e on ’24 Hours To Live’, the LOX’s “Money, Power & Respect,” and the remix of Ice Cube’s smash hit, “We Be Clubbin.’”

    After signing a contract with Ruff Ryders/ Def Jam Records, DMX recorded his iconic hit, “Get At Me Dog,” which quickly rose up the rap and pop music charts.

    His seminal CD, “It’s Dark and Hell is Hot,” cemented his legacy as a rap music genius.

    The website AllMusic.com noted that, following the deaths of Tupac Shakur and the Notorious BIG, DMX took over as the undisputed reigning king of hardcore rap.

    “He was that rare commodity: a commercial powerhouse with artistic and street credibility to spare,” editors at AllMusic.com wrote.

    “His rapid ascent to stardom was actually almost a decade in the making, which gave him a chance to develop the theatrical image that made him one of rap’s most distinctive personalities during his heyday.”

    Hype Williams’ motion picture “Belly” was among the first to cast DMX in leading roles.

    The 1998 film also included Nas, Taral Hicks, Method Man, R&B singer T-Boz, and National Newspaper Publishers Association President and CEO Dr. Benjamin F. Chavis, Jr.

    Before the end of 1998, DMX completed his second album, and a pending buyout of Def Jam pushed the record into stores that December. Featuring a controversial cover photo of the rapper covered in blood, Flesh of My Flesh, Blood of My Blood entered the charts at number one and eventually went triple platinum.

    The following year, DMX hit the road with Jay-Z and the Method Man/Redman team on the blockbuster Hard Knock Life tour.

    “The Ruff Ryders posse – of which DMX was a core, founding member – released a showcase compilation, Ryde or Die, Vol. 1,” AllMusic.com editors wrote.

    “With contributions from DMX, as well as Eve, the LOX, and multiple guests, Ryde or Die, Vol. 1 debuted at number one in the spring of 1999, further cementing DMX’s Midas touch.”

    DMX went on to star in a myriad of motion pictures and television shows, including “Any Given Sunday,” “Gone in 60 Seconds,” and “Cradle 2 the Grave.”

    DMX reportedly is survived by a fiancée, his mother and 15 children.

    Hip Hop Superstar DMX
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    Carma Henry

    Carma Lynn Henry Westside Gazette Newspaper 545 N.W. 7th Terrace, Fort Lauderdale, Florida 33311 Office: (954) 525-1489 Fax: (954) 525-1861

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    ‘Test Your Bible Knowledge ‘

    September 25, 2025

    This College Chaplain Fills The Pews By Teaching, Not Preaching Lawrence Lockett Jr., Morgan State University chaplain. Credit: Lawrence Lockett Jr. via LinkedIn By REV. DOROTHY S. BOULWARE (Source: Amsterdam News) It’s understandable for parents of strong faith to worry about the spiritual lives of their children who’ve gone away to college. After all, it’s easy for a young person, perhaps on their own for the first time, to suc-cumb to the temptations of partying late on Saturday night and sleeping in on Sunday morning. But Minister Lawrence Lockett Jr., chaplain at Morgan State University in Baltimore, is packing them into the pews most Sundays. He is engaging them in lively ways during the week. And students are joining the choir, accompanying worship on various instruments, and serving as readers and leaders throughout the service. It is by the grace of God for sure, but also by the loving service of Lockett, who’s beginning his second year as the school’s director of chapel. He has grown his flock from the 25 or so students who showed up at his first services to more than 200 each Sunday. Sometimes, it’s standing room only. “We’ve been trying to figure out what to do next because on Easter Sunday we had 342 people, and some were standing in the back,” he said. Word In Black talked to Lockett about the secrets of his success: how his adjustment of Sunday ser-vices got people into the pews, why his philosophy for guiding students on their spiritual journey centers on independent thought, and how his “Spin the Block” initiative is shaking things up on campus. The in-terview has been edited for length and clarity. Word in Black: The first thing we want to know is, how do you get so many young people to chapel every Sunday?. Lawrence Lockett: Well, first of all, I changed the time of service from 11 a.m. to 2 p.m. I realized a lot of the students like to sleep in late. It gives them time to do whatever they need to do. I’m sure many of them still like to party hearty over the weekend. So they have a good chance just to kind of refocus, recali-brate, get themselves lunch, and then come over to the chapel for service. When I started in November, maybe 20-25 students came, but now it’s over 200 that come every Sun-day, and it’s pretty cool. So now we’re repositioning ourselves to go after the freshman class this year. If we have the same success as last year, there’s definitely not going to be any room. Word in Black: Tell me about pastoring on a college campus. Lawrence Lockett: Morgan actually started as a biblical institute, so the Christian traditions have al-ways been here. As a pastor or shepherd, I’m walking students through their questions, not always just trying to preach answers to them. It’s about being vulnerable. I tell them I was in their same position, just trying to figure it out. And it’s not me just trying to give them answers. Having been there helps me really walk with them and anchor them in the storm of life that’s going to come. I want them to understand that their soul really matters. A lot of students focus on mental health, but they really need to focus on spiritual health as well. It should be one and the same. So I’ve been trying to preach that, if anything, spiritual health is just as important as your mental health. But we do encour-age the use of the counseling center, for sure, if there is a mental health crisis. WIB: What does Monday through Friday look like for you? LL: Mondays, we are usually off because of Sundays. On Tuesdays, we have Bible studies, so I’ll host a Bible study at noon along with my colleagues that work in the chapel. And then, I’m teaching a class called Hip-hop and the Gospel on Tuesdays at 2:30 p.m., dealing with mixing culture and religion. On Wednesdays, we do something called “breath and balance,” which is just a meditative type of pro-gram with breathing exercises as stress relievers. We work with the School of Nutrition Science and the food resource center so that the students get a nice free meal and practice breathing exercises and meth-ods to feel good about the day. For Thursdays, we started something called the mosaic, in which we have different campus ministers gather in small groups, just like a mosaic painting. So the students who come on Sundays then get plugged into small groups on Thursdays. And on Fridays at 1 p.m., we do prayer for Muslims.. We have an imam lecture and then lead in corporate prayer. It’s a good mix. WIB: What is “Spend a Block?” Didn’t you receive an award for it? LL: That started last year. We just basically do services outside: outside the residence halls, in the quad, wherever it may be. Honestly, worship on a college campus looks different than it did 20 or 30 years ago. Students want something real and authentic, something they can gravitate to, and something that’s convenient. So when we’re outside, people are like, “What’s all the noise outside? What’s all the music?” Then they come outside, and there are chairs, so they grab one and sit and enjoy the service. We come to them. They don’t have to come to us. At the very beginning of the semester, we do services outside the four resi-dence halls. And that kind of gives us a steamroll into homecoming week. And we’ve seen a lot of success because of that. WIB: What should I expect when I arrive for Sunday service? LL: You’re gonna see a lot of involvement with students. I’ve learned that students like to feel invested, and they want to participate in what’s going on. They don’t want to be told by adults what they should and shouldn’t do. So when you go to the service, you’ll see our praise team full of students. You’ll see a choir full of students. You’ll see students reading scripture. You’ll see students giving testimonies. And then I’ll come in and give a sermon, or I’ll have a guest friend or a guest preacher come in to do the sermon. But you’re gonna see a lot of student involvement, and I think that also assisted with a lot of the growth be-cause when they see fellow students, they understand they’re just like me, and if they can do it, I can do it. WIB: What about musicians and choir? LL: The musicians are also students. They say, “Hey, I love to play. I wanna use my gifts in some way, shape, or form.” And they’ll ask whether or not there’s a spot for them. And we say absolutely. And there is a chapel choir. Some of the members are also members of the university choir. WIB: What is the “next” you see for the chapel? LL: I want the students to know God, find freedom, discover purpose, and make a difference. The chapel really is the heartbeat of the campus, and I want students to know more about where faith, hope, and belonging really stem from. 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