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    You are at:Home » Legendary bluesman James Cotton passes away
    Religion

    Legendary bluesman James Cotton passes away

    March 23, 20174 Mins Read1 Views
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    CottonLegendary bluesman James Cotton passes away

    By Jody Callahan

          When James Cotton was still a youngster, he’d come in after picking cotton all day under the broiling Mississippi sun to a payment of just 3 dollars.

    One day, he pulled out his harmonica on the porch where the cotton money was doled out and started playing. A half-hour later, Mr. Cotton told The Commercial Appeal in an interview in 1999, he had $36 in tips in his pocket.

    That was an eye-opening experience for the young boy, and it didn’t take him long to see that music was his future. Thanks to his talent and a chance meeting with a blues legend, a then 9-year-old Cotton embarked on a musical career that would see him honored and loved the world over.

    “James Cotton was probably among the half-dozen most important blues harmonica players.

    He was much imitated, never duplicated. His sound and his style became archetypes. He carried the sound of the amplified harmonica into the rock world more effectively than anybody else,” said Bruce Iglauer, president and founder of Alligator Records, where Mr. Cotton recorded.

    Mr. Cotton, who was born in Tunica and lived in Memphis for several years, died Thursday after a long illness in Austin, Texas, where he lived. “Mr. Superharp,” as he was called, was 81.

    “We’re sort of all in shock. We knew he hadn’t been well,” said Barbara Newman, president of the Memphis-based Blues Foundation. “If you saw the look on my staff members’ faces when I went in and told them that he’d passed away, there was this deep quiet sadness. He touched people with his music, his harmonica.”

    During a career that spanned more than 60 years, Mr. Cotton recorded nearly 30 solo records while appearing on recordings for numerous other musicians. He played with such blues legends as Muddy Waters, Howlin’ Wolf and Sonny Boy Williamson. He won one Grammy and numerous blues awards, culminating with his induction into the Blues Hall of Fame in 2006.

    “There’s a lot of great harmonica players, and a lot of them came from this area,” said Jay Sieleman, former head of the Blues Foundation. “But without putting too fine a point on it, he would be in the top five or top 10 harmonica players of all time. That’s pretty elite company.”

    Born in 1935, Mr. Cotton musical journey began when his mother bought him a 15-cent harmonica for Christmas a few years later, he told the newspaper in that 1999 interview. He listened and imitated his mother as she blew folk songs on the harp. But sometime around the age of 7, Mr. Cotton’s heard Williamson play on a radio show.

    “I just heard about 30 seconds of harmonica but I realized that it was harmonica. I said, `My God, what is that? What is he doing with it?’” Mr. Cotton said.

    Two years later, Mr. Cotton met Williamson in an encounter that would launch his professional career.

    “His parents had died, and his uncle took him to hear Sonny Boy Williamson who was playing on the radio in West Helena (Arkansas),” Iglauer said. “When Sonny Boy heard Cotton’s ability to imitate him at such an age, he took him on as sort of his apprentice. Cotton would open shows for Sonny Boy playing by himself, and often playing on the streets for tips. He was making money playing harmonica at 9.”

    From there, Mr. Cotton became close to Muddy Waters, spending 12 years as part of his band. He recorded at Sun Records before eventually moving to Chicago. He moved back to Memphis in 1994, then departed for Austin some years ago. In 1966, he founded The James Cotton Band, the outfit that took him to dozens of countries for thousands of shows, something a former cotton picker from the Mississippi Delta still found hard to believe decades later.

    “I never thought,” Mr. Cotton told a reporter in 1998, “that this harmonica would take me around the world.”

     

    James Cotton
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    Carma Henry

    Carma Lynn Henry Westside Gazette Newspaper 545 N.W. 7th Terrace, Fort Lauderdale, Florida 33311 Office: (954) 525-1489 Fax: (954) 525-1861

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    ‘Test Your Bible Knowledge ‘

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    This College Chaplain Fills The Pews By Teaching, Not Preaching Lawrence Lockett Jr., Morgan State University chaplain. Credit: Lawrence Lockett Jr. via LinkedIn By REV. DOROTHY S. BOULWARE (Source: Amsterdam News) It’s understandable for parents of strong faith to worry about the spiritual lives of their children who’ve gone away to college. After all, it’s easy for a young person, perhaps on their own for the first time, to suc-cumb to the temptations of partying late on Saturday night and sleeping in on Sunday morning. But Minister Lawrence Lockett Jr., chaplain at Morgan State University in Baltimore, is packing them into the pews most Sundays. He is engaging them in lively ways during the week. And students are joining the choir, accompanying worship on various instruments, and serving as readers and leaders throughout the service. It is by the grace of God for sure, but also by the loving service of Lockett, who’s beginning his second year as the school’s director of chapel. He has grown his flock from the 25 or so students who showed up at his first services to more than 200 each Sunday. Sometimes, it’s standing room only. “We’ve been trying to figure out what to do next because on Easter Sunday we had 342 people, and some were standing in the back,” he said. Word In Black talked to Lockett about the secrets of his success: how his adjustment of Sunday ser-vices got people into the pews, why his philosophy for guiding students on their spiritual journey centers on independent thought, and how his “Spin the Block” initiative is shaking things up on campus. The in-terview has been edited for length and clarity. Word in Black: The first thing we want to know is, how do you get so many young people to chapel every Sunday?. Lawrence Lockett: Well, first of all, I changed the time of service from 11 a.m. to 2 p.m. I realized a lot of the students like to sleep in late. It gives them time to do whatever they need to do. I’m sure many of them still like to party hearty over the weekend. So they have a good chance just to kind of refocus, recali-brate, get themselves lunch, and then come over to the chapel for service. When I started in November, maybe 20-25 students came, but now it’s over 200 that come every Sun-day, and it’s pretty cool. So now we’re repositioning ourselves to go after the freshman class this year. If we have the same success as last year, there’s definitely not going to be any room. Word in Black: Tell me about pastoring on a college campus. Lawrence Lockett: Morgan actually started as a biblical institute, so the Christian traditions have al-ways been here. As a pastor or shepherd, I’m walking students through their questions, not always just trying to preach answers to them. It’s about being vulnerable. I tell them I was in their same position, just trying to figure it out. And it’s not me just trying to give them answers. Having been there helps me really walk with them and anchor them in the storm of life that’s going to come. I want them to understand that their soul really matters. A lot of students focus on mental health, but they really need to focus on spiritual health as well. It should be one and the same. So I’ve been trying to preach that, if anything, spiritual health is just as important as your mental health. But we do encour-age the use of the counseling center, for sure, if there is a mental health crisis. WIB: What does Monday through Friday look like for you? LL: Mondays, we are usually off because of Sundays. On Tuesdays, we have Bible studies, so I’ll host a Bible study at noon along with my colleagues that work in the chapel. And then, I’m teaching a class called Hip-hop and the Gospel on Tuesdays at 2:30 p.m., dealing with mixing culture and religion. On Wednesdays, we do something called “breath and balance,” which is just a meditative type of pro-gram with breathing exercises as stress relievers. We work with the School of Nutrition Science and the food resource center so that the students get a nice free meal and practice breathing exercises and meth-ods to feel good about the day. For Thursdays, we started something called the mosaic, in which we have different campus ministers gather in small groups, just like a mosaic painting. So the students who come on Sundays then get plugged into small groups on Thursdays. And on Fridays at 1 p.m., we do prayer for Muslims.. We have an imam lecture and then lead in corporate prayer. It’s a good mix. WIB: What is “Spend a Block?” Didn’t you receive an award for it? LL: That started last year. We just basically do services outside: outside the residence halls, in the quad, wherever it may be. Honestly, worship on a college campus looks different than it did 20 or 30 years ago. Students want something real and authentic, something they can gravitate to, and something that’s convenient. So when we’re outside, people are like, “What’s all the noise outside? What’s all the music?” Then they come outside, and there are chairs, so they grab one and sit and enjoy the service. We come to them. They don’t have to come to us. At the very beginning of the semester, we do services outside the four resi-dence halls. And that kind of gives us a steamroll into homecoming week. And we’ve seen a lot of success because of that. WIB: What should I expect when I arrive for Sunday service? LL: You’re gonna see a lot of involvement with students. I’ve learned that students like to feel invested, and they want to participate in what’s going on. They don’t want to be told by adults what they should and shouldn’t do. So when you go to the service, you’ll see our praise team full of students. You’ll see a choir full of students. You’ll see students reading scripture. You’ll see students giving testimonies. And then I’ll come in and give a sermon, or I’ll have a guest friend or a guest preacher come in to do the sermon. But you’re gonna see a lot of student involvement, and I think that also assisted with a lot of the growth be-cause when they see fellow students, they understand they’re just like me, and if they can do it, I can do it. WIB: What about musicians and choir? LL: The musicians are also students. They say, “Hey, I love to play. I wanna use my gifts in some way, shape, or form.” And they’ll ask whether or not there’s a spot for them. And we say absolutely. And there is a chapel choir. Some of the members are also members of the university choir. WIB: What is the “next” you see for the chapel? LL: I want the students to know God, find freedom, discover purpose, and make a difference. The chapel really is the heartbeat of the campus, and I want students to know more about where faith, hope, and belonging really stem from. 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