Acting Legend James Earl Jones Celebrated with Broadway Theater Renamed in His Honor

After a $47 million restoration and expansion of  the building, the theater was officially dedicated  to the iconic multi-award-winning actor.

 By Davontah

The Shubert Organization, Inc. officially dedicated and revealed the newly renamed James Earl Jones Theatre (138 West 48th Street), formerly the Cort Theatre, in honor of the iconic multi-award-winning American actor. The dedication ceremony follows a $47 million restoration and expansion of the building.

The official dedication ceremony welcomed VIP guests and included special performances by Brian Stokes Mitchell and Norm Lewis. The program also featured remarks from The Shubert Organization President Robert Wankel and NYC Mayor Eric Adams, as well as a first look reveal of the new marquee.

With the help of Francesca Russo Architect, over the course of the COVID-19 pandemic, Shubert has performed extensive renovation and construction work on the theatre. A new contemporary annex, designed by Kostow Greenwood Architects, expands accessibility, increases public space, adds dressing rooms and rehearsal space, and enhances the beauty of the 110-year-old theatre.

     In the summer of 2020, in solidarity with the Black Lives Matter movement, The Shubert Organization embarked on a mission to rename the Cort Theatre after a prominent BIPOC theatre legend upon completion of construction.

“The dedication of the James Earl Jones Theatre honors one of the most beloved Broadway and film actors of all time,” Shubert Chairman and CEO Robert E. Wankel said. “It’s fitting that the renaming of this beautifully restored building also be a moment in which to recognize the tremendous contribution of BIPOC people to Broadway. Mr. Jones’s name quickly rose to the top of the Shubert Organization’s list due to his illustrious career performing in Shubert houses, his status in the Black community, and his worldwide reputation as one of the most celebrated performers to ever grace the Broadway stage.”

The Cort Theatre opened in 1912, designed in the style of an Eighteenth-Century French palace by renowned theatre architect Thomas Lamb to house productions of theatre impresario John Cort. The building was sold to the Shubert brothers in 1927.

The theater has undergone historic refurbishments to the interior and rehabilitation of the NYC historic landmark’s façade, as well as the creation of a new, modern annex to compliment the historic theatre. Designed by Kostow Greenwood Architects, the new space is fully accessible and features lounges and new restrooms for theater patrons, as well as rehearsal spaces and offices for theater staff.

The dressing room tower has also been relocated to the annex, allowing for the expansion of the stage-left wing and an upgrade of the rigging system. These renovations have created an enhanced theater functionality that allows for the presentation of more modern, technically demanding productions with larger casts.

Jones’s Broadway career began in 1957, and in 1958 he played his first role at the Cort Theatre in “Sunrise at Campobello.” Over the following six-and-a-half decades, Mr. Jones rose to star in countless stage and screen productions (including 21 Broadway shows), becoming one of a small number of lifetimes “EGOT” (Emmy, Grammy, Oscar, Tony) winners.

Jones’s Tony Awards include Best Actor in a Play for “The Great White Hope” (1969) and “Fences” (1987), as well as a Lifetime Achievement Award in 2017. He has additionally won seven Drama Desk Awards and has been awarded the National Medal of Arts and the Kennedy Center Honors.

Jones has appeared in fourteen Broadway productions at Shubert theatres, including two at the Cort Theatre. Most recently, he starred opposite Cicely Tyson in the 2015 Broadway revival of Donald L. Coburn’s “The Gin Game” at the Golden Theatre.

With the help of Francesca Russo Architect, over the course of the COVID-19 pandemic, Shubert has performed extensive renovation and construction work on the theatre. A new contemporary annex, designed by Kostow Greenwood Architects, expands accessibility, increases public space, adds dressing rooms and rehearsal space, and enhances the beauty of the 110-year-old theatre.