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Antonio Sweeney relied on a mix of private and school scholarships, plus a federal Pell Grant for low income students, to pay for his first two years at his dream school, Morehouse College, in Atlanta, the alma mater of Sen. Raphael Warnock (D-Georgia) and Martin Luther King Jr. But by junior year, most of the outside scholarship money was used up and he had taken on so many activities–from serving as class president to running his own side businesses–that he hadn’t earned enough credits to keep his Morehouse academic scholarship. He filled the gap that year by taking out federal and private student loans. Now, in his senior year, his mother has come to the rescue–she borrowed $24,419 this fall from the federal Parent Plus program and plans to tap a similar amount for the spring semester. “We’re almost at the finish line and if this is what needed to be done for him to complete his education, then as a parent, I’m willing to do it,’’ says Sylvia Tripplett, a Flint, Michigan special education teacher still paying off her own student loans.
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Anyone conscious of Black progress during the 1960s, ‘70s and ‘80s clearly remembers songs like James Brown’s “I’m Black and I’m Proud,” Marvin Gay’s “What’s Going On?” and Stevie Wonder’s popular “Happy Birthday” song to the assassinated Dr. Martin Luther King Jr. in pursuit of a national holiday in his honor.
Richard Willis, lead producer of ALI, the new musical celebrating the life and legacy of the heavyweight boxing champion and humanitarian Muhammad Ali, today announced the production will premiere in Chicago at the James M. Nederlander Theatre April 22 through May 18, 2025.
Bill Cobbs, a prominent Black American actor with roles in more than 150 films and television shows, died on Tuesday at the age of 90, his family said.
As much as any message that stirred the crowd and brought them to tears that day was “I’ve Been Buked and I’ve Been Scorned,” a slave lamentation first recorded as a Negro spiritual in the early 20th Century. Sang that day by the reputed, “Queen of Gospel Music,” Mahalia Jackson, upon special request from Dr. King, she rendered the song slowly and prayerfully in her deep, rich contralto just before he spoke.
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