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On Oct. 15, the first day of early voting, students from A&T, Bennett, and the University of North Carolina at Greensboro marched together to Union Square, the closest polling place left open to them. The trek took about 45 minutes in 85-degree heat, on roads where missing sidewalks forced some into traffic, and many waited hours more to vote on arrival.

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     Titillating bits of conversation run the ground work for this fairly engrossing British spy/drama/thriller. Within minutes audiences will figure out the problem, complications and where the intricately laid out script by David Koepp (Mission: Impossible) will take them. It’s all administered and guided by the Oscar®-winning director Steven Soderbergh (Traffic), who is back on his game–big time. He makes this excursion intriguing from beginning to end.  

Creating an album is no easy feat. Creating one from inside one of the most overcrowded and under-resourced jail systems in the country? Nearly impossible. But that’s exactly what Bending the Bars set out to do. The result is a groundbreaking hip-hop album written and performed by incarcerated artists from Florida’s Broward County Jail that provides a platform for hidden talent and a blueprint for similar projects nationwide. Released on June 11, 2025 by FREER Records, Bending the Bars will also be followed by a documentary detailing its creation. A series of single releases with precede the full album from March 31, 2025. 

     In 2003, Bill doubled down on his longstanding appreciation of that work by establishing the Eyejammie Fine Arts Gallery devoted to hip-hop photography. In 2015, after the gallery’s closing, The Smithsonian Institution’s National Museum of African American History and Culture acquired 400 Eyejammie photo prints by 59 different photographers.

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